Mid Side Eqing

Mid side processing is a clever technique which once learned will probably find its way into all your mixes.

Mid side eqing.

For instance let s return to that last point i made above. There is one important reason to use mid side instead of l r eq. Mid side eq can be a really useful way of correcting small issues that may arise during translation. Master channel processing is a very effective way to add that extra bit of width and power to your arrangement.

If you re not familiar with m s processing it starts by encoding a stereo track into two separate components. Its strength lies in making subtle and creative changes to the stereo image of your audio tracks and it has the potential to make you feel like a real audio nerd. If you want something to sound looser or tighter mid side may be able to help with that. Our new tutorial walks you through an in depth technique on how to eq your elements into a whole new spectrum.

The centre becomes the mid component while the stereo track s right and left elements become the sides component. We promise this one is shocking. If for example we find our low end to be clean and clear in stereo but a bit blurry or phasey when folded mono we may have some excess stereo information that isn t playing nicely together. In my youtube video on mid side eqing i illustrate what mid side processing does by going into the mid side eq.

With mid side compression you can do all kinds of stuff to gain further control over your mix. When mid side processing it can be easy to get caught up in enhancing the smaller elements of your mix and ignore the bigger picture. It s one of those tricks that never fails to impress and thankfully. A good example is adjusting a sound s tone.

Want to learn how to use in depth mid side eqing to create space in your mixes. Arrangement mid side eqing and compression. Mid sides m s eq processing is definitely one of the big deal features. First add a mid side compressor to a stereo track or bus.

22 min 46 sec. If there s already a lot of signal content below 650 hz especially at the midrange around 250 hz lots of playback problems can happen on cheaper boom boxes. Learn how to separate layers and stems to create a fuller and cleaner sound. In this case i ll use a stereo guitar as an example.

In this example a bit of low shelf attenuation on.